Films





ABOUT
Section Perspective Films is a boutique film production company founded by Giorgio Angelini. The spirit of our approach to film is borrowed from Angelini’s experience as a practicing architectural designer.
In architecture, we communicate ideas through drawing. In film, through a script. The most common drawing we communicate through is typically a floor plan. It is the most literal expression of an idea. But it exists in a two-dimensional, flat plane. Conversely, a section drawing operates by cutting vertically through multiple layers of a building, exposing relationships between space and program that would otherwise not be evident on a plan. But it too exists with in a two-dimensional plane.
A "section perspective" expands on this flatness, revealing a design's inner-workings and bringing to life what was once flat space. Many worlds existing at once, bound together by built form.
Our approach to filmmaking borrows from this metaphor.
